1. The huge gate in the deer fence is off its hinges and leaning against the post. I struggle to open it enough to squeeze through the gap, feeling as if I shouldn't be doing this. This odd feeling is magnified by the darkness in the woods -- now that the leaves are out in full, it's very dark and deep and things that I can't see rustle on either side of the path. The wood feels very wild and ancient.
2. Cresting the witch's tower hill and seeing great drifts of pink and purple rhododenrons.
3. A compilation CD intriguingly labelled: 'Clare's compilation of American indie, prog rock, literate songwriters etc' -- in exchange I'm going to make a pair of portraits just as soon as I am given the photographs. I like working in exchange for stuff because it's intriguing finding out what people can do and what value they place on an hour, my idea of a good colour combinations and my thoughts on what bits of their faces are important.
Friendly, strayed and cedar.
1. In the small hours, when I can't get back to sleep, there's a friendly, familiar Terry Pratchett book waiting on my phone. 2. We ...
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1. An enormous fat bumble bee at work. She is so bulky that she can knock dead blossoms out of the way as she gets right in to the new jasmi...
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1. Oli has written a poem describing how Tunbridge Wells makes him veer between wanting to fall in love and wanting to shoot people. Which i...
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1. The shortest night and the longest day. I was up at Wellington Rocks with Anna, Paul and Jason. We couldn't see the sun through the m...